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호프 aka Hope by Na Hong-jin

Furious action, acute suspense, awesome cinematography, incredible set pieces, uniquely bonkers story. In this very South-Korean genre, the main characters frequently bumble along in borderline...

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给阿嬷的情书 (Grandma’s Love Letters) aka Dear You by Lan Hongchun

Sad, funny, beautiful. One of my SO’s uncles is Teochew, but I’d never heard this wonderful Southern Min language spoken before. Script, cinematography, acting, and backdrop are authentic and...

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Uncertain Maps: aufbrechen — ankommen: Eine Kooperation mit dem Literaturbüro...

Arthena Foundation/Literaturbüro NRW crossover roundtable with artist Verena Issels and author & journalist Joachim Bessing, moderated by Maren Jungclaus, introduced by Ludwig Seyfarth. The Good:...

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Big Trouble in Little China by John Carpenter

Crossover of classical Hong Kong 1930/40s mystical kung fu and 1970s kung fu comedy, completely over the top as it should be. Hilarious barrage of intentional as-you-know-Bobs to catch up on China’s...

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New Counterpoints | 20 Jahre musik21 e.V. Festival

Traces and Transformations Compositions by Johannes Sandberger, Erik Janson, Henry Mex, Pia Marel Hauser, and Theodor Pauß as electronic/improvised remixes for piano, synthesizer, live electronic, and...

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Resident Evil by Zach Cregger

Gamey. Gory. Goofy. Maybe a tad too strong on the comedic side for my taste, but Abrams’s perfect old-school-no-laugh-track timing is terrific. Resident Evil by Zach Cregger, 2026. Watched at the...

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New Counterpoints |»20 Jahre Musik21 e.V.« | SEP 19, 2026

Excellent Neue Musik concert with Dixtuor by Miro Dobrowolny, Serendipity by Christoph Theiler, Espaces NRW – les silences de la ville by Erik Janson, all for ensemble, and the premiere of Bogolutu by...

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Gruppo di famiglia in un interno aka Conversation Piece by Luchino Visconti

Written for the screen but staged like a play, it works terrifically in its self-imposed limitations. Carried by superb acting and cinematography, the family portrait with its generational and social...

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辣手神探 (roughly: Hot-Handed Super Detective) aka Hard Boiled by John Woo

Blu-ray 4K treatments alone, like for Face/Off in 2023, don’t count; remastered theatrical rereleases are what I’m interested in. I love the things I own that I collected in the past, like videos and...

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The End of Oak Street by David Robert Mitchell

It’s stumbling along on its characters’ relentless idiocy and irrational impulses, not driven forward by anything resembling dramatic development. Everything’s explained to death without making sense;...

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The Fast and the Furious by Rob Cohen

Guiltless snack. Crammed with hilarious clichés on the one hand, yet many of them freshly invented by it on the other. While coherence isn’t what the screenplay is ambitious about, some plot hookups...

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Mutiny by Jean-François Richet

Decent camera work, satisfying action choreography, excellent sound design. Screenplay isn’t top-notch, and the scene setups for boarding and the finale are eye roll-inducing. “The protagonist is a...

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8番出口 aka Exit 8 by Kawamura Genki

Fantastic script that takes the game’s mechanics and weaves them into an emotionally gripping story while still preserving the vibes of an indie video game. Its entwined loops, a universal...

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The Man Who Fell to Earth by Nicolas Roeg

The screening of The Man Who Fell to Earth I attended last night was preceded by an event with guests and talks about David Bowie’s Berlin period, and there was a lot of sentiment that 2016 had been a...

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Teenage Sex and Death at Camp Miasma by Jane Schoenbrun

The most ironically adorably nerdy queer movie I’ve ever seen. Einbinder. Anderson. Fix. A fantastically layered surreal meta-meta-rewrite and reconciliation of period slasher movie motifs that is...

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Ojczyzna/Vaterland aka Fatherland by Paweł Pawlikowski

Excellent direction, cinematography, acting, script, but not every dialogue line hits the mark. Some reviews call it a historical vignette, and indeed: brief, taut, coiled, and wired to unravel in the...

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Organ Recital »Tempus fugit« by Ute Gremmel-Geuchen

Great organ recital by Ute Gremmel-Geuchen, a former student of Oscar Gottlieb Blarr’s (in attendance), with works by J.S. Bach, César Franck, and Norbert Laufer (also in attendance). Laufer’s »Tempus...

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Pahanhautoja aka Hatching by Hanna Bergholm

Perhaps one or two jump scares too many, but well done in all other horror departments. At times reminiscent of Lynch’s dread inside the mundane and Wes Anderson’s cinematography. Some script...

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Funeral Casino Blues by Roderick Warich

Character-driven, camera-driven, mysterious, stylish. Fantastical journey along the edges of the real, the hyperreal, and the unreal. It’s almost as if it were the delayed final part of a tetralogy,...

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Yön lapsi aka Nightborn by Hanna Bergholm

The Ents are evil. Cinematography and sound design are top. Not all assembled horror elements and motifs to support its theme fit together coherently. Dramatic structure and cut seem off but it’s the...

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